This post originally appeared in Lunch Ticket on June 12, 2014: http://lunchticket.org/stories-share/
Survivor (as in “Eye of the Tiger”) is to play a free show in Los Angeles later this summer. I stumbled upon this exciting news the other day while browsing Thrillist LA’s list of (they say) every free outdoor concert in LA. It was mid-afternoon, June gloom burned off, the sky clear blue, the asphalt in the parking lot outside my office softening at a warm 90-something degrees.
Meanwhile, I sat shivering inside at my desk as I do every afternoon, clutching a mug of jasmine tea and wrapped in my sweater against the AC which blasts like we’re all penguins here and the company means to keep us happy with native habitat temperature.
With numb fingers, I jotted down the date of the show and pulled up YouTube for a dance party down memory lane. My favorite Survivor song is still, as it has been for nearly thirty years, “The Search Is Over.” I cranked the volume. My shoulders swayed. I softly sang along. When the tune ended five minutes later, I found a YouTube mix channel to keep me grooving in my cushioned ergonomic-knock-off chair all afternoon. Survivor led to Journey, led to Heart, to Foreigner. It was a totally ‘80s dance party. I want to know what love is, I want you to show me.
And then my boss popped his head into my office.
“Having a flashback?” he asked, leaning on the door jamb.
“You can blame Steven,” I replied.
Steven was my first crush. He was smart, cute, a grade ahead of me, and his family’s house was up the street from mine. Maybe because we were heading in the same direction, or maybe because I was younger and someone asked him to ensure I arrived safely, but it didn’t really matter. All that mattered was that Steven walked me home from camp every afternoon the summer before fifth grade. I was a little awkward. I hadn’t yet learned how to be cool in close proximity to a crush. I yearned for the ease of conversation like in pre-school days, before we all differentiated into genders with crush-worthy eyes and unreasonable desires. I longed for a third party to break the ice. Nevermind. I got something better: a song.
Steven had a lovely voice. On the winding hills of West Lake Shore Drive, in our Velcro high tops, wet bathing suits hanging from our backpacks, my pony tail swinging, lips red and sticky from the afternoon’s Italian Ices, Steven a shoulder’s width away, he began to sing.
How can I convince you what you see is real
Who am I to blame you for doubting what you feel
I was always reachin’, you were just a girl I knew
I took for granted the friend I have in you
I spent the summer memorizing the words to the song he said was his favorite, and wondering if there was a secret message he was trying to relay to me through them. The next year I discovered Duran Duran and bought my very first cassette--a-ha—at the mall with some allowance money. Of course I listened to the Beatles, and I had been singing Simon and Garfunkel with my dad since forever. But that summer before fifth grade I was blissfully between kid and tween. Steven was my first crush; Survivor my first band. The story of that summer is embedded in the track. The Search Is Over.
I was living for a dream, loving for a moment
Taking on the world, that was just my style
Now I look into your eyes, I can see forever
The search is over, you were with me all the while
“See?” I said to my boss after telling him the story. “You can blame Steven for the dance party.”
“Music and scents,” he said. “They always bring me back.” Joan Jett began to rock the computer speakers. My boss told me about Amanda and the first band he loved.
There’s a little movie of long ago that springs into our minds when we hear a song or smell something familiar. We all have these stories that bang around in our chests, waiting to be tapped with the right reminder. Every event in our lives is recorded in the proverbial black box. Once retold to another, it sparks a memory in the listener whose own story then flutters against his ribs. Look at Humans of New York, or listen to the recordings at StoryCorps. It doesn’t take long to feel blessed to hear the narrative people share. To feel honored to be witness to their stories. To feel connected.
Recently, I found myself in a Facebook crossfire between strangers linked through a mutual friend. The strangers were from different states, different times of the friend’s life, and on opposing sides of the political battlefield. Seventy-five comments later, the conversation jumped to another thread like wildfire leaping a fence. The ammunition built as more strangers united by the single friend took sides. Useless clichés and commonplace platitudes were thrown back and forth. Each side barely listened to the others’ shibboleth.
We have to have these debates. Our evolution depends on it, and the vitriol is part of the passion. But rhetoric aside, beneath the politics and other dividing lines, don’t we all have the fluttering wings of stories yearning to release? Beyond the hierarchy of supervisors and employees, doesn’t the whiff of Thanksgiving dinner or the bridge of a song recall some elemental, specific, human experience that we each once had? And aren’t they all, despite the nuanced differences, essentially the same? Love. Sadness. Awe.
Our humanity is not expressed in politics, but in the narratives of our lives. Humans have shared them with one another since time began. Songs and storytelling have existed in wealth and desperation, from the beginning of history to the present day, in every corner of the globe. The common ground of our shared human experiences is the thread that stitches us together, despite our egos, our dogmas, our fears.
If there’s any hope for humanity—not the species, but the spirit—it is here: in the tales of first loves; in the songs that lift our spirits; in the emotions we all know. And in the stories we share.