At the center of everything that I'm grateful for in my daily life glows these three shining lights. I tucked the girls into bed for the first time ten Thanksgivings ago. They were all single digits and glitterbombs, all dolls and painted nails, all make believe and dances. They were so gangly and immediate in their emotions, when they looked to me for some guidance, I think I stepped into adulthood for the first time. They came into my life with a lot of love, but I'd be lying if I said I came in knowing anything about being a stepmom, or that being a parent of any kind, especially during early teen years, is simple. To our girls' credit, it's not easy having two houses and four parents all poking into their business, and they navigated it pretty well most of the time. They made it a little easier for us too: they'd switch around, and one of them always kept our house in laughter even when the other went to the dark side.
Somehow - we might have hit the jackpot on this one - they're both shining pretty bright right now, full of creative energy, navigating the middle and late-teens with drive, inspiration, love. Nowadays, with Em already out in the working world, it's generally some combo of us - rarely all 4 - in the same room at the same time. Our house is a whirlwind of the arts - Es always bent over her drawing pads, Em off at auditions or modeling shoots, Darby surrounded by his synths and drum loops, and me working out songs on the guitar.
Just in a wee little social media post I couldn't possibly say how much these three inspire me, but Thanksgiving always means a lot to me because of them, and I keep trying, in my songs and stories, to do them justice. I still tuck them in at night with lights-out talks and back massages. So deeply, deeply grateful to these three for bringing me into their family ten Thanksgivings ago.
As complicated as parent/child relationships can be, stepparenting has this additional challenge:
There is no guarantee of love. Not at the beginning of the relationship with the kids, not through the years, not from the kids toward the stepparent, nor the other way around, at any point.
Stepmothers, in particular, are difficult and complicated for children, because there are loyalties and alliances to the biological mother that the children must navigate. Most times, if the stepmother is there after a divorce in the first family, and there are two households that the children orbit around, the children must learn to adapt to different values, different rules, different cultures, different expectations, different dynamics.
Those differences in households are likely some of the factors that led to the divorce in the first family to begin with, and so the stepmother and biological mother frequently do not share values, leading to dynamics between the two mothers that the children must also navigate. The partner - biological dad, in this case - can get caught in the middle as he himself negotiates between his former and present partners. Children always come first, which means that stepmothers must many times bite their tongues, step aside, acquiesce.
When the stepmother has come to the family without her own biological children, as I did, she is simultaneously childless and a mother. She may, as I did, have deep desire to nurture the stepchildren as she would have nurtured her own. She may find that the children simultaneously accept some nurturing and reject others -- because, after all, they have a biological mother living not far away. The stepmom in this case must find a tenuous, untrod path to walk that is not depicted in any fairy tale, movie, book, or pop culture touchstone. If she doesn't want to be the "evil stepmother," and cannot be the "good mother," she must invent her own role, and move against every depiction she has ever seen of women's roles in the family.
This is what I want to say here:
I have found that the greatest gift of stepmothering is a gift that doesn't come easy. With no guarantee of love, many times a stepmother can close her heart, turn away, reject the child and the biological mother and, in some way, her spouse. In that case, no one wins. The other way is harder, but I have to thank Darby for supporting me in my efforts to always choose an open heart. To soften when I want to flare. To talk when I want to shut down. To go upstairs and give love to those girls when I have wanted to hide.
There is no guarantee of love for stepmothers, but ten Thanksgivings down, I don't doubt the love between me and my girls. When I say that they have been my greatest teachers, this is what I mean: They have taught me again and again, every day since ten Thanksgivings ago, what it means to choose love.
"Delicious autumn! My very soul is wedded to it,
and if I were a bird I would fly about the earth seeking the successive autumns." - George Eliot
Maybe September has always had a sacredness to it, between my childhood's sticky celebration of the Jewish holidays that practically tumble over each other from week to week in the fall, and the opening of the new academic year that still, now that I am adjunct faculty at Antioch University, rules my calendar. My psyche was, perhaps, already anticipating, when Darby and I kissed for the first time in September nine years ago, the deep journey of love and growth that has many times made me wonder at why we look upward to find sanctity when it is so often shining back at us, holy and pure, through the eyes of someone who loves us. No wonder Darby and I chose a date in September, six years after that kiss, and three years ago today, for our wedding. Darby, and I, and the kidlets - my stepdaughters who are two of my greatest teachers - stood in our backyard under a crystal chandelier hung from a branch of the mulberry, our dear friend Jeff officiated, and a small group of family and friends gathered around to witness our vows.
I'm not sure that I have always believed that I deserved a love like Darby's, but I know that all my life I have hoped that I would be one of the lucky ones to receive such a gift.
What's happening in the first photo below is this:
Right about 5 pm, three years ago today, it was my turn to repeat the officiant as he read, line by line, the vows that Darby and I had written. It was a Saturday, and I'd taken two days off of work at the record label, and put aside for a few days my work for graduate school, where I was also the editor of the program's literary and art journal. I wasn't thinking of any of that, of course.
I wasn't thinking about the cheese table, which friends had laden with flowers and fruit that afternoon. I wasn't thinking about the sitar, or the harmonium, or the friends who had walked us down the aisle from our bedroom to the tree with a sweet rendering of Buddy Holly's Everyday, or the caterer standing by with portobello mushrooms and lasagna, or the cake I'd made that was in the kitchen melting. I wasn't thinking about the malformed signature that I'd just affixed to our beautiful hand-drawn and hand-calligraphied ketubah. I wasn't, for the moment, concerned about family dynamics, or overhead airplanes.
I was just here, standing beside my loving stepdaughters, with my hair in some unexpected 'do that the stylist had chosen that morning and wearing a friend's borrowed shoes, with more people in our backyard than I thought possible, about to officially wed the love of my life who looked terribly dashing in his fine linen three-piece suit.
But an editor is an editor, I suppose. Just a moment before the photographer's shutter snapped, the officiant read a line that was ever-so-slightly not quite what we'd put on paper so many weeks before. Not consciously, I simply turned the phrase back around when I recited it to my almost-spouse. My mind was, I guess, trained to it. I'd been close-reading, proofreading, and editing for two years straight. The officiant looked back at his notes, laughed aloud about his error, and shared with everyone my editorial correction. The shift in attention, the jovial reaction of my almost-spouse, and the reference to my quotidian that felt so outside of the reverent moment caught me by complete surprise. I was so present, and this moment of laughter was authentically joyful. The shutter snapped. The photographer pinned the moment down forever. And we were married.
The best thing I never decided to do was fall in love with Darby. It happened of its own accord - if you know Darby, you can surely understand how. Who knew we'd be even better married?
Happy anniversary to us!
So much churns and rises to the surface during the night. A few days ago, I sat with my coffee and journal as I do most mornings, trying to capture my waking thoughts. As usual, only after my inner compass steadied could I turn my gaze to the headlines and other people's stories. Though I am enamored with the world, I don't know what magnets may swing too near my needle as I sleep so nearly every morning I do this scan of my inner horizon, as if it's an object on my nightstand, to ensure true north is where I left it the night before. If I can engage the first half hour of the morning with my pen steadied over the page, I rein in some otherwise missed understanding of the world. I write, listen to the hum of the refrigerator or the chatter of finches across the street, and sip my coffee. Sometimes, when there's little to sort out, I just write about the refrigerator and the finch. I aim for at least three pages of anything, and no matter what I write, mornings like that start out well.
The break of a new year is much the same. As one year's clepsammia thins, I hold my inner compass to the events of the previous twelve months. How does my living measure with the map I envision for my life? Have I lived aligned with my values? When the hourglass inverts, I face the future and envision how to rebalance lopsidedness from the previous year and further build on past progress.
As I began to write my way across the transition from 2017 into 2018, though, I noticed a distinctly uncommon wobble in my journaling. My compass seemed to be spinning. When I asked What did I do with my time? I felt unmoored, and then understood: The November before, not to over-play a broken record, had named the loser of the popular vote the winner of our last presidential election. Though I believe people can change, I don't think Trump will, and I didn't buy some commentators' hopes that his election season manner would temper after his swearing in. Instead, the weight of all the injustices ever wrought against women -- the silencing, the harassing, the violence, the unfair narratives, the pay gap -- pushed at my back and pummeled me through the gates of that new year. I had crossed threshold with a heady mix of anger, fear of the unknown, and a whopper of an election hangover.
Between the election of '16 and the swearing in last January, with my usual New Year's reckoning, I somberly acknowledged that the creative and professional plans I had thought would be my focus of 2017 had been based on an election outcome much different from what came to pass. Instead, I saw, 2017 would be not a year of embarking on new journeys, but on rehashing tired arguments for why, dammit, women need access to reproductive care; why, dammit, people for whom skin color has been the primary correlating factor for economic disparity should benefit from affirmative action; why gender expression or sexual orientation should make no damn difference when it comes to employment, military service, marriage, bathroom access, safety, or equal rights of any kind; why health care, particularly for the very old and very young and very sick and very poor -- and every child, like ours, with Type 1 Diabetes -- should be, in every civilized and wealthy society, guaranteed, accessible, and affordable; why we must be aggressive and progressive against industries that exacerbate climate change; why we must be diplomatic in our foreign relations; why we must encourage and support advancements in science, the arts, and education; and why, dammit, the individuals we choose as representatives should represent us at our best, not just for political reasons, but because, for god's sake, the children are listening.
This week, as I tried to clarify my retrospective of 2017 in order to create my vision for 2018, I saw too well that the past year, instead of moving forward, had been spent going back over the leaks in the boat we'd already built and had thought was airtight. That was the wobble. It came from the gravitas and boredom of battles re-waged. It came from tamping down celebrations; pulling back recording projects; setting aside money for the ACLU and NARAL and other organizations with other letter combinations; and delaying creation of new books in order to have time to consume more articles analyzing what had caused this great ship to dip, and how to simultaneously bail out the water and repair the leak before we all go down.
You many think I'm being overly dramatic, but that's part of what I love about you and me: we are not identically the same in our passions. And sometimes we are.
Still, the point is that 2017 has ended. To honor it, Darby and I chilled a bottle of prosecco and holed up in his recording studio to reclaim what was left of the new year. We staked out the final hours and marked them as our own, getting back to making music and writing stories.
We finished the year like that, never getting to the Prosecco, and woke up on January 1 to continue our work, which is on the Bliss Drops record that we first started over a year ago. Never mind the past. Through this New Years Eve and Day, we picked up where we left off before the election fiasco of 2016, with what is called "the Guru mantra," a Sanskrit chant that I've put to melody and chords, and which Darby has dressed up in groove. Gu = darkness. Ru = remover. Seems a fitting way to start anew: removing the darkness to bring in clarity, truth, healing, and joy.
"By reciting this mantra with a sincere heart," activist, musician, writer, and yoga teacher Sharon Gannon writes, "you will see that the power that enlightens is all around you at all times. [...] The guru is your own self, the inner guiding light."
To you, dear reader, I wish a very happy 2018, filled with love, joy, good health, creative inspiration, and the light of truth so that you may see more clearly in the darkness.
Guru Brahma, Guru Vishnu, Guru devo Maheshwara, Guru sakshat, param Brahma, tasmai shri guravay namaha
Brahma is the force, or guru, of creation; Vishnu, that of preservation; devo Maheshwara is behind the trials that transform us. There is a remover of darkness nearby (Guru Sakshat) and one beyond the beyond (param Brahma). I make my offering (tasmai) to the beautiful (shri) remover of my darkness, my own ignorance; I honor that guru with my life (namaha).
Crawled my way down the playlist from Max Frost to Natalie Merchant and suddenly I am back in 1997 opening Soundbites Cafe for the early shift, cranking the stereo before the customers come in for their first cuppa joe, hoping for some cathartic release from the grief that comes with a boyfriend who juggles fire, clubs, and women.
I pass Pauline sometimes while I’m out for my lunchtime run near the office. She sits in the front porch shade with her dog and a pile of oranges from her tree, often reading from her bible, or talking on the phone, or talking with the postman who sometimes picks up little grocery items for her.
When we talk, I ask about her hip which needs replacing, or her eyes which are doing much better since the cataract surgery last summer, and inevitably talk of Tony, her husband, the love of her life who passed away a few years ago. They bought this house on the corner in 1971, and together they decorated for every holiday from Christmas to Easter to Halloween. She smiles a lot, but when I ask about Tony, she can't hold back the tears. Last year, the week before Easter, she didn't bother wiping them away as she told me that Easter Sunday was their wedding anniversary, and how lonely she is without him. Every minute, Pauline told me, she misses Tony.
She doesn't get around very well because of that hip, and without Tony she can't decorate, but it's Valentine's Day, and so today she is wearing a pretty red top and cheerful lipstick.
Around the edges of my love for Darby is the heart-wrenching awareness that every thing in this life is temporary, that the magnificent joys of today may be the deep sorrows of tomorrow. What do I do with that? Just the thought of it ties up my belly and nearly chokes me. So today I stop by with Valentine's flowers for Pauline.
Yesterday, my sweetheart and I were in Ventura. In the late afternoon, after coffee and beignets from the little French cafe on Main Street, we walked down to the beach. If you're Facebook friends with anyone here in southern Cali, you probably saw postings about last night's sunset. All day the sky was gorgeous -- clear blue with titanium white streaks of strata clouds and little puffs of cumulus like freshly whipped cream. The air has been very warm lately from the Santa Anas that blew in last week, but in late afternoon, as the sun dipped behind the clouds, we zipped up hoodies and sat watching the 150-ish (we counted, then lost track) surfers bopping around in the waves.
"How would you describe that smell?" I asked.
"Salty, briny," my sweetheart replied.
"Ah, yes, briny. That's the word."
We shifted our gaze back to the sunset, the rosy-colored ocean, the tangerine clouds. Occasionally we twisted to take a peek at the purple mountains rising behind us. Holding hands, we kissed every now and then, cheeks, mouth, hands, and then turned back to watch the surfers and the sun.
"I always thought when I heard the phrase 'crashing waves' that people meant the physical act of the water falling, but now I understand it as sound -- booming, thundering, crashing," I said.
"Yes," my sweetheart replied.
"And the birds," I said. "So many sounds here at the ocean."
"Yes," my sweetheart replied, and kissed me again.
We watched three friends greet each other near the water’s edge, their whippets rushing in and away like kids on a playground. A lone sandpiper danced in and out with the tide. Two ducks flew south, intent on their destination. A man trained a telephoto lens on the horizon, and another couple kneeled in the sand with their cameras on the sun's glow and the silhouetting channel islands.
“Ah! Did you see that?” my sweetheart exclaimed. I’d missed it, but he told me how a surfer lifted up on a wave and spun in the air 360 degrees, and landed upright, still coasting on the edge till the wave died out in the shallows. A few minutes later he did it again, and that time I saw it.
The softness of our gaze outward, the calmness we felt as we bathed in the long moments, our relaxed bodies, these were contrasted by the pointy corners of the two boxes that I knew my sweetheart held in the pockets of his hoodie. We both knew they were there, had together chosen to take them from the navy blue bag with the rust-colored tissue and ribbon handles that we left in the trunk of the car. The boxes, I knew, were charcoal-colored, leather-bound with light grey stitches edging around the top, each enclosed in its own slightly larger black cardboard box. We had come to Ventura today – actually, had originally planned for a week ago, but there was the matter of a rescheduled rehearsal that was later canceled, but then it was too late to re-reschedule our appointment – for these boxes, but now, with our feet tucked into the sand and our faces glowing in the sunset, we pretended the boxes weren’t there, pretended that we had come here only for the most gorgeous of sunsets, that we had driven here to Ventura just to witness mother nature at the height of all her Technicolor glory.
Later, after we asked and said yes, yes, yes, my love, my sweet love, and asked to hear it again just one more time, and once more, laughing and teasing each other, and thank you, thank you a million times for sharing your life and letting me love you and be loved more than I have ever known, after the rings were on our fingers, mine in yellow gold with three diamonds and three little chips that Hugo added of his own artistic vision, and my sweetheart’s in white gold with seven small diamonds in chocolate, champagne, and yellow-green, after we held each other’s hands and reflected again on the perfect artistry of the hammered metals, the simple beauty of the stones, later, after the sun had gone and the clouds had disappeared into the dark night, we drove back down the freeway to Los Angeles for dinner and some wine, happy to keep and hold our joy just for ourselves for one more night, and to sleep in the soft flannel sheets of the house we already share, back door open to the night chill, the cat quietly tapping across the wood floors, our bodies and dreams wrapped together like a present that reveals more facets of its gift every new day that we awaken together.
The other day, while running errands and thinking of Lovember, I passed Vendome, a local wine and liquor shop. Vendome is a few blocks from my house and I drive by every time I head to Trader Joe's, but I've only stopped in once or twice. This shop is interesting because set up inside is a little grass-roofed wine bar. Call me sheltered, but I have never seen another liquor store with a tasting room. I'm not a wine connoisseur - far from it - and have been curious to try out some tastings. As I drove by, I took note of the tasting hours.
Did I explain Lovember? I'm courting my man. Lovember is my dedication this month to take things more slowly. Savor time. Be more mindful in some areas of my life. Lend attention to my love for Darby. Like so many things, if a relationship is to flourish, it must be nurtured. Darby, his love for me, and our relationship together are some of the greatest gifts of my lifetime. Thankfully, I appreciate what I have while I have it, but to paraphrase Hafiz, the one regret I do not want to have when I get to the end of my life is that I did not kiss my sweet man enough. We've had a busy few months. Now that we're in the savoring, slower, mindful month of Lovember, what better time for a wine tasting? On Sunday, I asked Darby out on a date.
We were the first ones to arrive for the tasting that evening, so for a while we had Smiley, Vendome's Sunday wine enthusiast, to ourselves. He put Miles Davis on the stereo, and as he poured told us stories about his life. Sip, talk, sip, talk. We were having a marvelous time, but I won't bore you with a play-by-play. Actually, after trying eight or ten wines, I don't know if I could. However, I do remember one moment in particular. Darby and I were sitting back, tasting the best Rhone of the evening. We were deep into Kind Of Blue. I eavesdropped on Smiley and some of the other tasters discussing Panama hats. Is there a word for the appreciation of being able to appreciate something?
I bet the French, a culture so steeped in wine, have a word for this. Miles Davis on the speakers, good wine, listening to Smiley's stories and having no need to tell my own.... In my younger days I don't think it would have felt poignant, but lately everything shows its layers, complex and beautiful. If youth is a smile, adulthood is the laugh lines that reveal a person's history. Another regret I do not want to have when I get to the end of my life is that I didn't smile enough. Perhaps it's from the slowing down of Lovember. Lately I have been rejoicing in time.
Recently, Darby and I sat together enjoying a rare Saturday moment when both kids were settled in with friends and didn't need to be picked up for another hour. The conversation paused for a breath.
"Do you know how beautiful you are?" he said, looking at me from across the table.
When Darby tells me I'm beautiful, I listen. I take it in when he compliments me. I press his words into my being like leaves between the pages of a book. I want to hold them for later, but I also want to interrupt the other narrative - the negative one, the one that says I am always on the verge of failure. I've been practicing to linger on the good stuff, and let the critical mind-chatter roll away. Lately I've noticed he tells me I'm beautiful more frequently.
"Am I imagining it?" I asked him.
"No," he smiled. "You're not. It used to trigger you when I said so. You'd resist it. Now you seem to take it in."
Trigger. Nearly thirty years ago I was riding in the car with my mom through our neighborhood, when we paused at an intersection.
"Mom, do you think I'm pretty?" I asked. I was perhaps ten or eleven.
It was a hard question to ask. At its root, the question is really, Am I likable? Am I worthy? Am I enough for the life that I want? Will life be good to me? Will it open to me, revealing treasures like love and appreciation and comfort? So much hinged on her answer to my simple question. I'm sure every kid wonders this kind of thing.
"Your mother is so beautiful," teachers and sales clerks said to me all the time. It was true. She was in the prime of her beauty just as I was beginning to wonder about my own. She was 5'8" and wore 3" heels. Her eye shadow was purple, her lipstick red, and she got her nails manicured every two weeks by Violet who had two daughters in my school. The answer should have been fast and easy. Yes, you are pretty, she should have said.
"Ana is pretty," she began. Ana was Violet's daughter, and indeed one of the prettiest girls in my grade. "So is Risa," she said, mentioning another girl I was close with. "You?" She paused. "I would say you are more striking."
I didn't know what that meant. I still don't. That day in the car, though, I was fairly certain of one thing: striking wasn't pretty. And if I wasn't pretty, could I still be likable, worthy, and all the rest? It felt like my life hinged on this one question.
I can imagine now how this conversation might seem from her standpoint. In all the years she was told she was beautiful, my mother was also a voracious reader. She was a baby boomer dissident. She was a latent academic who, despite dropping out of high school has now earned her PhD. She got married young, had me soon after, and offset her career aspirations. I was a bright kid with my life still ahead of me. There would be limitless career options looming after college. Perhaps she thought striking was a greater compliment than the commonplace pretty. Perhaps she thought it would keep me safe from making the choices she made. Maybe it was a feminist decision.
As that scene in the car passed through my mind, I knew what Darby was talking about. Trigger. It used to be, when he'd say "You're beautiful", I would brush it off. I didn't know what to do with it. I'd laugh or shrug or make some self-disparaging remark. I couldn't decide if he was saying it out of obligation, or if he really thought I was. Of course now I see how ridiculous that is. After all, the man and I fell head over heels in love. To me, his is the most beautiful face on the planet. I imagine he feels the same about me. But he would tell me I am beautiful and it would stump me every time.
When we live under the spell of not-good-enough, we don its cloak. We hope it's invisible to others, but when someone truly loves us, they see all the layers, and they know that beneath the stories is the true self. They see youth and wrinkles, and the beauty of time. They see our successes and our struggles. 2009 was a good year. 2008 not so much. They see how far we've come, and what it took to get here. They know the tattered edges of not-good-enough, and do what they can to fray it more.
That Saturday I looked at Darby sitting across from me. I didn't know it until the other night, but he has been stealthily tugging at the holes of my cloak. It's a strange thing to realize that sometimes the best way to show love is to hold back. He's older than me by thirteen years. He knows better how to bide time. I'm learning.
At Vendome's on Sunday, as Miles Davis was replaced by Traffic, I let the 2009 wine roll over my tongue. I turned to Darby and said, "I just love being an adult." I was trying to say how much I appreciated everything about that moment, including all the years that came before. Shot through that, I also appreciated my ability to appreciate it. That's the best way I knew how to say it.
This morning, as we were laying in bed listening to the morning awaken outside our bedroom door, I think he may have expressed it better.
"Do you think," he asked, "there's a month of Lovecember too?"
I was taken off my yoga mat the other day mid-class to find my phone and jot down a note. My mat was rolled out in the front row at the far end of the studio room, the furthest I could be from the cubbies where we students stash our belongings. As everyone else lifted up into a warrior pose, I crossed in front of twenty or thirty mats to dig out my iPhone. I couldn't have been more distracting. One of the practices of yoga is clearing thoughts from the mind, but I didn't want to risk losing this one.
That was Sunday, and now it's the middle of the week. In these between days I've felt a tightening, like a bag I keep cinching closed. I've distracted myself with snacks and articles and jewelry designer websites, but like a kitten scratching at the bedroom door for breakfast, as much as I try to go back to sleep, the idea still lingers. There are other ideas too -- integration, which is something I've been thinking a lot about, and Lovember, which is an idea/project/mindfulness practice that I am embarking on this month -- and I'd rather write about them. Alas, Sunday's yoga interruption is the one caught in the bottle neck. Nothing else can come out until this one does. Here, then, is my attempt at loosening this bag, at softening around the idea I've tried to tie shut, at releasing some of the lurking darkness.
There was a viral youtube video that went around a few years ago. It first emerged in 2007. Perhaps you saw it? It was an experiment arranged by the Washington Post for one of the world's most talented violinists, Joshua Bell, to perform incognito during rush hour in a Washington D.C. train station. For one day, the virtuoso was virtually unknown. Spoiler alert: he was mostly ignored.
For here I'm a tad more interested in what happened on Sunday (but you should really read this excellent Washington Post piece about what happened that day in the train station). My sweetheart Darby teaches the yoga class. He's a well-loved teacher, and it's a popular class. Throughout a regular Sunday there is laughter, some groaning, a few f*bombs, a lot of sweat, and occasional cathartic weeping. A sense of camaraderie has developed among the students. We are all human, we are all perfectly imperfect, the class seems to say in a collective sigh. Sundays are less about silent meditation and more joyful celebration.
On this particular day, as we moved through prasarita padottanasana (wide legged forward fold) and some standing twists, Darby talked about awareness. He mentioned the recent Banksy stunt in NYC in which the elusive graffiti artist set up a stall near Central Park and sold (via an unknown gentleman) authentic Banksy prints for $60 - and had only three buyers. Oh, whoops. Spoiler alert.
Darby was pretty much asking us to wonder, how often do we rush by things of beauty, interest, poignancy? How much do we miss? He also mentioned the Joshua Bell experiment. As various articles about this ask, "If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?"
Well, that's a good discussion, if you're considering the viewpoint of the passersby. In fact, more often than not, we are the passersby. But what about when you're the busker?
In fact, this conversation on Sunday hit home because I was the busker. In the mid/late '90s I stood with my guitar on the gusty train platforms and sidewalks of Harvard Square, offering my art to anyone who had the time.
Much like the Joshua Bell event, my busking was also an experiment. I loved writing music. I loved singing. What I didn't like was the gut-wrenching, finger-numbing, throat-tightening anxiety that gripped me every time I stepped on to a stage. I wanted to love performing, and the best way to do it, I thought, was to perform as much as possible. I bought an amp with two inputs for voice and guitar, a boat battery to power the amp, and a bright red dolly to lug it all out to the street in a compact package on wheels.
The good times were when it wasn't too cold, and someone sat down on the sidewalk to listen, say a kind word, or put money in my guitar case. More than fifteen years later I still recall the night a man handed me one hundred dollars - five twenties, actually - and told me to record my songs, and the afternoon one of my local idols, folksinger Catie Curtis, stopped to listen for a few songs. There were times of encouragement, but mostly it was a practice of ignoring being ignored. Joshua Bell and I have at least this in common. When I look back on those busking days, I remember a few people resting nearby to listen, but I mostly remember the passersby.
Until this week, I had almost forgotten that getting over stage fright had been my main reason for the busking. As it turns out, my experiment mostly worked. The anxiety never entirely went away, but it certainly lessened. Yoga helped with the rest. But until this writing, when I've thought back on those busking years, I've mostly remembered them through the lens of failure. It would take a heart of steel to overlook the hundreds of people who never knowledge the music. That's what gripped me the other day in yoga. In addition to Banksy and Bell, Darby mentioned another incident of an overlooked artist: the band U2.
Years and years ago, before U2 was known by anybody here, a friend of Darby's shot a few photos of them. They were performing live at a club in Dallas as the act between wet t-shirt contests. Unlike Banksy and Bell, they were not famous at that time. Maybe they were ignored because they were unknown, or because the club patrons were only there for the other shows. Possibly they were ignored because they weren't any good. The point, I realized, is that it doesn't really matter. What matters is that they didn't stop there. The band didn't let past failures be the measure of their future success.
This is what I had walk across the yoga studio to write down: Do not base the possibility of future success on the memory of past failures. Too often I look at my past in an attempt to predict my future. After all, we are the only case study any of us really have. More often than not, I consider something a failure if it didn't meet the high expectations (and generally short time frames) I set myself. I've looked back instead of forward. I put lack of success on a pedestal and declared it The End instead of resting it on the side of the road and continuing the journey. Too many times, I've rubbernecked disasters instead of keeping my eye on the road.
So here we are. November 1. This is going to be an interesting month. For a long time now I've been looking forward and setting measurable goals. I did get into the MFA program. I did finish the marathon under five hours. I did book the gigs. This month of November I've renamed Lovember. I'm dedicating it to a different sort of growth, one with no measures. There's going to be a lot less rushing around, because Lovember is not about check lists. Lovember is about kindness. Joy. It is about showering the man I love with love, and writing because I love to write.
This Lovember I am keeping my eye on the things I hold at the center of my heart's bullseye, and not letting past failures be anything other than one lens through which to look at history.